770 West Grand Ave. | Oakland, CA | 94612 | 

Phone: 510 290-9660  | info@gearboxgallery.com

Hours: Thursday to Saturday 12-5pm | First Fridays 5-8pm

Force of Nature

Tamera Avery and TaVee McAllister Lee

July 3 – August 9, 2025

(Closed July 4th)

Artists’ Reception: Saturday, July 12th, 1-4pm

Artists’ Talk: Saturday, July 26th, starting at 2 pm

First Friday: August 1, 5:00-8pm

painting of young woman wandering into a foreboding forest toting plastic bags stuffed with stuffed animal toys
Tamera Avery, Evergreen, oil on canvas, 76 x 76
Torn paper fragments depicting a dark forest, a girl shown from neck down wearing a pink jacket hands in pockets and standing by a tire abandoned in a stream, and a chemically contaminated stream
TaVee Lee, From that time forth, torn paper installation, 12 x 13 x 2

In Force of Nature, we are invited to traverse the rich terrains of storytelling through the striking combination of Tamera Avery’s large-scale oil paintings and TaVee McAllister Lee’s delicate torn paper constructions.  While Avery’s bold and expansive works—one measuring an impressive 78” x 112” — command attention with their solitary figures and enigmatic interactions with the natural world, Lee’s constructions offer a contrasting fragility, appearing to hover lightly on the wall, subdued color emerging in their delicately cast shadows. With an underpinning of fairy tale, archetypes and legends, both artists veer toward existential concerns. 

Avery’s attention has focused recently on the pervasive habitat loss of Earth’s largest carbon sinks, the Black Forest being one of them. The source of so much folklore, this vast stretch of mixed forest has been precipitously dying, with long-term studies pointing to human driven climate change as a key factor. Exploring this territory, Avery’s process starts with collage, combining widely sourced imagery with her own photo subjects into heroic yet ominous scenarios. Ultimately painted at near-life scale the work balances between hope and an ever-advancing potential for destruction. A youth stands alone in the still heart of the woods, an adolescent girl toting toys wanders into the forest, coyote slinks away from a young man conjuring in the ruins, each engaging the viewer on a direct visceral level as one considers the paintings in person.

At first appearing to be virtual toss-aways, Lee’s “collages of a free nature” challenge traditional notions of installation art. While they lack the grandiosity often associated with installations, these delicate compositions reveal a deeper, more serious presence upon closer inspection. Pinned directly to the wall, their poetic placement of advertising imagery and aspirational messaging, layered with visions of harsher reality, provoke an examination of uncomfortable truths while finding beauty in vulnerability. Difficult to see in photos, subtle coloration emerges in the shadows, allowing for a more intimate experience if one stands with the work a bit.

Together Avery and Lee create a dialogue that encourages engagement with the natural world in all its complexities. “Force of Nature” is not just an exhibition; it is a call to action—a reminder of our capacity to nurture and protect the delicate balance of life that surrounds us, ultimately asking us to reflect, question, and participate in the ongoing narrative of our planet.

Reception:

All are welcome to join us for this Opening Reception celebrating a decade of presenting contemporary art in Oakland. Stop in anytime Saturday, July 12th, 1-4pm to greet the artists and enjoy the light refreshments. Plenty of free street parking on Grand and in the nearby neighborhood.

Artists’ Talk:

Avery and Lee will discuss their figurative and narrative approach to their work, the themes in the work on view and their art practices in a talk starting at 2 pm on Saturday, July 26th, welcoming questions from the audience. All are welcome to join us for this free event, open to the public.

Image info, above left, Tamera Avery, Evergreen, oil on canvas, 76″ x 76″; right, TaVee McAllister Lee, From that time forth, torn paper installation, 12″ x 13″ x 2″

Tamera Avery, My Little Valentine, oil on canvas, 24" x 18"

About Tamera Avry

Tamera Avery lives and works in San Francisco and has exhibited widely across California, with recent solo exhibitions at the Triton Museum of Art in 2024 in Santa Clara, CA, and at the Morris Graves Museum of Art in Eureka, CA, in 2025. Her work has also been shown in the De Young Museum of Art in San Francisco, 2023 and 2020, and was selected for the esteemed Crocker Kingsley Exhibition in 2019, Roseville, CA. After an early career at the intersection of business and fashion, she turned to painting full-time, working with key artist-mentors at the San Francisco Art Institute and UC Berkeley Extension school. She is represented by Andra Norris Gallery in Burlingame, California. (1107 Burlingame Ave, Burlingame, CA – 650-235-9775)

torn paper fragments depicting man in industrial welding mask and text about living beautifully through high-end products designed for comfort and ease
TaVee McAllister Lee, Live Beautifully, 11 x 6 x 3

About TaVee McAllister Lee

TaVee McAllister Lee grew up in Oklahoma, with a stint in Laos as a little girl. After earning a BFA in painting and printmaking from the Kansas City Art Institute, she moved to the San Francisco Bay Area, working as a painter for many years. She now explores more esoteric and unconventional work in her art practice. With a recent solo exhibition at Transmission Gallery in Oakland, CA, Lee has shown in numerous two person and group exhibitions in the Bay Area. In a tandem art career, she has been the juror, curator or on the curatorial team for more than 150 Bay Area exhibitions, including exhibitions at the Sanchez Art Center in Pacifica, and the LL Horton, Jr. Art Gallery at San Joaquin Delta College in Stockton, among others.

Upended by Covid 19 in their first joint exhibition, Avery and Lee’s show, In the Wake, was installed and set to open the day after the San Francisco Bay Area pandemic-era shutdown in March of 2020. Ultimately the exhibition remained installed for three months with few people, masked and well-distanced, seeing the work, though a video captures the scene in the gallery. While the work dealt with the impact on nature in the wake of human excesses, ironically the pandemic was likely facilitated or exacerbated by human incursions on the environment, i.e. In the Wake was largely unseen in the wake of the pandemic. Force of Nature, extends the conversation between these two artists and to their viewers.